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Same Difference Music

Days

by Kerkville

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byron muñoz
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byron muñoz How does a person manage to compose such amazing sounds? Michalis Moschoutis did it, not just one time, but ten (not to forget that Dimitriadis mastering had a lot to do with the outcome). This is some of the best music I've heard. Amazing.
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  • Record/Vinyl + Digital Album

    Edition of 100 copies

    Includes unlimited streaming of Days via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    shipping out on or around December 14, 2020

      €20 EUR

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €3 EUR  or more

     

  • (CDR) TRB.027 "DAYS"
    Compact Disc (CD) + Digital Album

    CDR edition with cardboard digital print folded in PVC cd sleeve

    Includes unlimited streaming of Days via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
red dust 04:09
2.
rise of ys 04:21
3.
on the lake 04:51
4.
vault 05:00
5.
porcelain 04:38
6.
keeping it 05:28
7.
next to me 06:35
8.
number 7 02:07
9.
bowed 04:44
10.
days 07:35

about

The debut album for Kerkville from Athens, "Days" comes out in mid-autumn not only as a personal vehicle of Michalis Moschoutis, the man behind it all, but probably as a means for everyone. In the 10 pieces of the program, guitars (classical, acoustic, electric, lap steel, pedal steel) play the game, all of them sharing the first role but truly, in a sensible manner. It is the musical background of Moschoutis apart from his inner world, of course, which enables him to render his thought into music. Somebody might confess an aura of Christian Fennesz's processed guitar ambient in "Rise of YS", a touch of Matt Elliott's penitential chords in "Keeping It", Michael Gira's slow heart-breaking strumming in "Bowed" and even Godspeed You! Black Emperor's hopeful feeling in the closing "Days" and the isolationist melancholia of Gustavo Santaolalla's "Babel" OST in "Next To Me". His close friend and collaborator Dimitris Dimitriadis, whose invaluable input pushes Moschoutis' creativity output a step beyond into the world of sonic treatment, took care of the technical aspects of the album.

total duration 49:35

Released on vinyl for the first time in December 2020 via Same Difference Music. Vinyl tracklist is missing track 8 "Number 7"

credits

releases December 14, 2020

composed, performed & recorded by Michalis Moschoutis, January-September 2010

instruments used: guitars (classical, acoustic, electric, lap steel, pedal steel) & piano on "next to me"

mixed with & mastered by Dimitris Dimitriadis at Zero Gravity

graphic layout by Themistoklis Pantelopoulos, October 2010
cover photo Theo Vranas

Vinyl mastering: Nikos Lavdas at Kiwi
Vinyl artwork: Ira Stamatopoulou

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Triple Bath Αθήνα, Greece

recording label releasing CDR, focussing on electroacoustic music, field recordings, free improvisation, avant-garde & its crossroad with traditional music

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