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TRB​.​028 "THE HADRON SUITE"

by Michael Chocholak & Ooy

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  • (CDR) TRB.028 "THE HADRON SUITE"
    Compact Disc (CD) + Digital Album

    CDR edition with cardboard digital print folded in PVC cd sleeve

    Includes unlimited streaming of TRB.028 "THE HADRON SUITE" via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
thoughts of water, bodies of sand 05:44
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2.
liquid atmospheres 03:48
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3.
particles of god 04:31
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4.
a string of golden bees 04:45
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5.
prometheus and pandora 06:29
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6.
apparatus profane 06:02
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7.
alice in the looking glass 08:22
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8.
circle of lethe 06:35
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9.
the anthropic and the omega 05:52
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10.
engines of enigma 06:22
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11.
many worlds in a hall of mirrors 03:50
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12.
orbiting an abyss 05:38
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about

Michael Chocholak, electroacoustic composer from Oregon and Ooy, electronic composer from Tokyo and member of Conrad Schnitzler's reformed Kluster, exchanged, processed and arranged each other's raw material (samples and field recordings) into a series of compositions that grew and coalesced into "The Hadron Suite". The music, spanning 68 minutes, is varying between electroacoustic sci-fi drone and granular noise.

The drive to know and understand the cosmos shines like a beacon as if from Plato's fifty six circulating crystal orbs down through the ages to be focused now by one huge spherical lens, a vacuum more perfect than outer space where fifty ton magnets cooled by liquid helium spin opposing orbits of Pandora's threads, revealing the birth of our universe and opening doors to other dimensions; the Large Hadron Collider.

total duration 68:03

credits

released November 26, 2010

tracks 1, 3, 6, 8, 10 & 12 composed by Michael Chocholak, based on material provided by Ooy
tracks 2, 4, 5, 7, 9 & 11 composed by Ooy, based on material provided by Michael Chocholak
sonic material exchanged over the internet

conceived & realized in 2008

mastering by Themistoklis Pantelopoulos
graphic based on photos taken in Arkadia, Peloponnese
November 2010

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Triple Bath Αθήνα, Greece

recording label releasing CDR, focussing on electroacoustic music, field recordings, free improvisation, avant-garde & its crossroad with traditional music

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